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It's nice to play around with standard methods, and Fm synthesis, but there is much more that can be made with sound synthesis. There are limits to what can easily be performed with the new methods for synthesis fundamental reason is that they are computer based. The whole concept of digital synthesis is based on trying to copy acoustic as well as analog sounds. There are always different ideas and techniques used, and the success is based on where exactly is the acoustic reproduction.
In a world of digital sound synthesis are four critical methods to be used.
Method 1: Frequency Domain – Spectral Modeling
If we took the Hartmann Neuron synthesizer as an example, you would find being a spectral model. It is well used in additive synthesis and the re-synthesis. That alludes to the frequency domain.
Method 2: Physical Modeling
Physical sounds like spring simulations or mass simulations can be very closely reproduced physical modeling. This is because this type of modeling depend on mathematical models derived from the acoustic basis of instruments and components.
If you really want to achieve that plucked sounds, this is obtained from the Karplus Strong synthesis via physical modeling.
Method 3: No Sound Test Model
This is called loose modeling. This is the method to be used on AM, Walsh, FM with Wavetable synthesis.
Method 4: Time Domain
In granular synthesis, wave form composition and even distortion waves you want to use time-based modeling.
Walsh synthesis is able to make new waveforms by using lots of space waveforms, plus it is completely digital. There is a problem with this technique though, and it is hard to be able to adjust the frequency spectrum. For an incomplete digital or analog, try Digital FM Synthesis. With respect to complex modulation, it is far more adaptable.
Some try to use LFO-type modulation or Yamaha operator concept. For example, this is what FM synthesis is based. However, it does not achieve much success in trying to be as analog subtractive synthesis. PPG Wave and Waldorf Microwave series can take credit for making Wavetable synthesis so popular. Scattered pieces of sampled sounds are simply played back and looped like a sampler. To make this even more difficult, you can benefit from filters, envelopes and LFO's, are all standard features.
One should remember that the four major methods that we outlined, is still able to use the analog components, provided that it is in their signal chain. But they are still digitally based.
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